Surrounded by mountains, festivals and musician siblings, my childhood gave me a lot of inspiration.
There is something about making electronic music, that fascinates me more than anything. The boundlessness, freedom to create whatever comes into mind strikes me as a blessing everytime i produce music.
There´s a feeling of tapping in... into what? i ask myself sometimes. I guess i could call it a state of “now”, an alert, awake, state of mind, where i don’t think about the past, nor the future. I barely think at all. I just create whatever i feel like and what form it will take is unknown.
As for DJing it’s always different from crowd to crowd. But i like to think of it as a way to make people open up, be free of fears and to let go. You can find so much energy in techno, and i love to lead people into a theme where they slowly can be drawn into that energy. It’s kind of a healing feeling actually. For me music is a free, open playground, where feelings will rise. If something gives me goosebumps, i know i’m touching the right spot.
Since several months I’ve lived in a district called “Västberga” in Stockholm which is most known as an industrial area where epic raves have been hosted throughout the years. Its surroundings have inspired me to make this album. You can feel the monotone mechanical manufactory pulse here since there’s almost only corporations located at this area. As i walk around here daytime, it’s full of big trucks, engine like electric sounds, old railways and trains, while during night its more quiet and atmospheric.
Through sounds i want to dive into the very abstract feeling of reiterations that i also could feel during my visit in Seoul. The pulse, the people, the traffic, the machines, the clubs. The tempels, The high mountains in the far. Sometimes i loved it there and totally forgot myself.
Produced by Eyvind Blix
Additional Productions by Vâyu, Saphileaum, Unjin and Djilogue
Mastered by Mixmastering.de
Artwork by Sebastian Garhammer
Released by Oslated from Seoul, South Korea
Release Date : April 12st. 2018
by Eyvind Blix
by Eyvind Blix